Having never been a huge fan of Paramore, but always been a big fan of their singles, I've found myself listening to their entire discography over the years but have never been overly impressed; sure they were often showing glimpses of being a great pop punk band, but the reliance on a strict formula and cringe worthy ballads totally killed it for me. On their latest self titled album I was totally caught off guard by how much I enjoyed this album, with a total line up overhaul, Paramore have strung together a diverse collection of top tier pop songs that just relentlessly deliver in memorable hooks, melodies and energy. With tracks such as 'Fast In My Car', 'Grow Up' & 'Ain't It Fun' all jostling for single of the year you also have some awesome heavier moments such as the Post Rock closer 'Future'. It could be criticised for being perhaps a bit too long but as far as I'm concerned the isn't really a dud on the whole album, but if it was only 12 track it'd have been one of the greatest pop record released this generation. As it stands it's a flawed pop masterpiece.
Showing posts with label Pop. Show all posts
Showing posts with label Pop. Show all posts
Friday, 12 April 2013
Friday, 12 October 2012
Love and Regret - Cold Showers
Cold Showers is the debut album LA band 'Love & Regret' who formed around about 2 years ago & they combine pop music with traditional angular guitar riffs and shoegaze to create a sound that's heavy in atmosphere and heavy in hooks. On first listen it may seem that 'Cold Showers' and it's 8 songs sound a bit nondescript & for the most part this is kind of true, I could imagine any number of shoegaze influenced bands putting out this record & this would be a problem if some of the songs weren't so damn catchy. This album does one thing particularly well and that's throwing you some incredibly catchy and simple guitar riffs that feel immediate and garners your interest pretty quickly 'In Terms Of Pleasure' is a favourite of mine with it's bass line and indie pop guitar tone and female/male vocal harmonies making up a very simple yet very strong chorus, & 'Seminary' is a pretty strong closer offering an increase in tempo and overall presence which works really well for this band. The one thing that can be laid against this album that whilst for the most part songs are very enjoyable the is nothing really to them that allows them to truly stand out from the crowd, whilst all the songs have their quirks which make them unique within the context of the album, they really do not stand out in an oversubscribed genre. I guess the best way to sum up this album would be 'good but unspectacular' & I don't mean that in a horrible way either. The just isn't enough in this album to make me get overly excited about it, is a fairly accomplished debut with some very strongly crafted pop influenced shoegaze treats.
Tuesday, 21 August 2012
Jessie Ware - Devotion (9.0/10)
The is something I really love about melodic and understated pop music & provided it's well produced then the concept of it alone is probably enough to carry it to a seal of approval. Devotion is such an album & after hearing 'Wildest Moments' & 'Running', which sounded like instant classics to these ears, I was already expecting this album to meet my expectations. So the question I have to ask is does it exceed my expectations & once again the answer to this question would be a resounding yes. As said earlier in the review 'Wildest Moments' & 'Running' are both the sort of instant classics that most musicians could only dream of having with their strong hooks, strong performance & incredible production the really isn't a single thing you cannot like about those songs. But it's also the sheer amount of other songs on this album that also reach the dizzying heights of 'Wildest Moment' & 'Running' which really took me aback, for example '110%' is a more upbeat song with lush chorus but all achieved without really ever hitting the volume dial; the energy and melody carries song so as a result it never really needs to, and 'Something Inside' is an incredibly beautiful song with some fantastic melodies and harmonies in the chorus.... hell even the bonus track 'Strangest Feeling' is the sort of track that would normally stand head and shoulders above the rest of it's contemporaries. The vocals on this album are really top notch and accompany the understated melodies and use of instrumentation incredibly well, the vocals are definitely at the forefront & are generally significantly louder then the music the accompanies it, but such is the strength of the instrumentation you will remember and pay equal attention to both. 'Devotion' does bog down a little bit in the middle, the highs are not quite as high and the themes become slightly repetitive but this is something I found become less of an issue on repeat listen & I eventually found it serves as a reliable bridge between the start and the end of the album. Some people may say think this album is a bit 'Radio 2' or 'MOR' for them but for me I think this is an incredibly well crafted album with some of the most memorable songs you're likely to hear this year; it's clever, it's catchy, it's memorable & as far as I'm concerned it has all the makings of an instant classic.
Tuesday, 31 July 2012
Eugene McGuinness - The Invitation To The Voyage (4.5/10)
I have been quite the fan of Eugene McGuinness, ever since his debut single 'Monsters In The Bed' I have followed his career fairly closely; something thats actually been quite easy as it's been 4 years since his last full length album release. 'The Invitation Of The Voyage' is his 3rd record after the excellent 'The Early Learnings Of' and the strong but flawed self titled that came out in 2008. I have always viewed Eugene as an artist full of potential just waiting to come out and with 'The Invitation To The Voyage' once again we get glimpses of this but perhaps a more pressing issue we see lots of it being repressed in generic stylistic pop. I never thought I'd see the day where Eugene McGuinness would put out something as frightfully dull as 'Videogame' but lo and behold it actually happened. Having said that the are a few moments on this album which are actually incredibly strong 'Lion' & the title track 'Invitation To The Voyage' are both stellar moments and the final run of tracks is exactly the sort of thing I hoped for from Eugene but it doesn't really make up for the early body of the album, at least not enough to give it a whole hearted recommendation.
Monday, 23 July 2012
Twin Shadow - Confess (8.7/10)
One could be said that I'd be bored of 80's inspired pop by now, but if it's done well & with a somewhat modern twise, it is easily one of my favourite genres of music being released at the rate that it is. 'Twin Shadow' is the latest album I've heard to provide me with such thrills and it does achieve the aim of both sounding positively huge and 80s but is also a cannon full of incredibly catchy songs. The first 4 track of this album in particular sound like would be classics with 'Five Seconds' simply being one of the finest pop songs I've heard in quite some time. This album isn't = in it's self a bona fide classic though, the album does to lose it tremendous momentum going into the final 3rd, but it's still a great album to check out if you're a lover of 80s inspired pop music such as myself.
Friday, 8 June 2012
Album Review: Infadels - The Future Of Gravity Boy
Infadels are in a genre of music which I find very easy to dismiss, the kind of electro rock pop that is so very often very generic and disposable and at first I felt it would easily fall into this category. But after a while I found something strange happening, I was nodding along, I was enjoy the simple in you face romper stomper uplifting electro pop on offer here with it climaxing perhaps at the anthmatic 'Mercury Rising' which just sounds massive. Under no circumstances will I ever trick you into thinking this band where anything more then just a straight electro pop band playing very straight forward electro pop songs but that's why I think I enjoyed this album; they aren't trying to be anything else, but having said that they do take some risks at the end of the album. It's not reinventing the wheel or anything but for what it is I really enjoyed this album and for those looking for that next electro pop hit to dance along to when the sun finally comes back out then 'The Future Of The Gravity Boy' is a very safe bet.
Album Review: Ladyhawke - Anxiety
I love the self titled album that came out in 2008, it was a great blend of rock and 80s pop sensibilities with huge songs and even bigger hooks and interesting song writing that just came around as so effortless, natural and just had a spark to it. 'Anxiety' on the other hand is a stodgy uninspired collection of songs which, for whatever reason, decides uninspired 90s britpop revival was the best course of action. With the exceptions of 'Sunday Drive' and 'Black White & Blue' ,both of which I quite like, the album just sounds like any number of female fronted brit pop bands we've long since forgotten about & the is reason for us forgetting them & that's because it was all so forgettable. This album is totally disposable, the are some ideas here which lead me to believe Ladyhawke can come back with another fantastic pop album, but this isn't it & certainly wasn't worth the 4 year wait.
Tuesday, 29 May 2012
Album Review: Karin Park - Highway Poetry
I appear to have a real thing about Scandinavian female pop this year, I am finding myself just naturally drawn to their music & here is the latest one in for my collection 'Karin Park'. Karin Park is an incredibly strong vocalist, I'm going to get it out there right away, she sounds like a blend of Bjork & Karin Dreijer Andersson, but not in a way that sounds like pure imitation as she carries her vocal patterns with real confidence and swagger. These vocals are put to good use against some really quite textual backing tracks mostly made up of synth and drums, these compositions are both incredibly catchy & complex with some really interesting ideas going on amongst the dancey flair. The more outright experimental track on the album stands out for me '6000 years' sounds like Bjork if she were to front The Residents... a prospect that always excites me. On a whole this is straight up Scandinavian pop goodness with dancing shoes but with some real depth ,complexity and a sinister feel to it & as a result I love it.
Monday, 14 May 2012
Album Review: Niki & The Dove - Instinct
Didn't know of this band until this past weekend when I saw them at a truly fantastic set during the Great Escape at the old mans pub Horatios located on Brighton Pier where I was instantly won over and put this album firmly on my radar. Comparisons to Stevie Nicks & Kate Bush are ripe on other publications but so I'm not going to dell on it too much but I will just confirm that these comparisons are accurate, only with a more tribal spin on their female vocal formula. This album is full of soaring euphoric pop songs & whilst it's not the perfect pop album it come staggeringly close with tracks such as 'The Fox', 'Mother Protect' & 'The Drummer' all with hooks so strong they should be illegal. I highly recommend anyone into the girl led electro pop or any fans of ms. Nicks & Bush out there, the is plenty to enjoy, even if it doesn't QUITE come close to capturing the totally epic and chaotic live performance it's still probably my favourite pop album released this year.
Saturday, 5 May 2012
Poppy Saturdays Episode 1
It's Saturday, so time to appreciate the melodic and catchy! It's Poppy Saturdaysss YAAAAY
Friday, 4 May 2012
Album Review: Polica - Give You The Ghost
This is glossy alternative pop slathered in auto tune, but whereas often autotune often guarantees an emotional disconnect between the listener and the artist, this is an example where this isn't the case thus making it really effective. Like a crying pocket calculator you feel the raw emotion coming from the artist & it creates for a sprawling and atmospheric album full of swagger and sex appeal. Oh yeah this album is damned sexy, despite it being a very lonely, personal and atmospheric experience, it carries it's self with thick bass lines that love to groove & this makes it somewhat of a unique album. It's far from perfect but it is still an excellent debut & I highly recommend a listen of this, ideally on headphones.
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